River Tam (
river_meimei) wrote2007-08-28 12:33 am
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This city's never fully dark. There's no star-spangled black in this sky, not even the close second-best that a clear atmosphere sometimes arches overhead; here the light pollution is ubiquitous, and the sky's a hazy humid grey under sulfurous street-lamps.
But it's night. Night, and growing later.
When there's nowhere else to go, you keep
(flying)
running. One step behind, one step ahead.
River's looking for something. A key, a rose, a door.
But here, in the city that (as they proudly say) never sleeps, it's anyone's guess what she might find. And what she won't.
But it's night. Night, and growing later.
When there's nowhere else to go, you keep
(flying)
running. One step behind, one step ahead.
River's looking for something. A key, a rose, a door.
But here, in the city that (as they proudly say) never sleeps, it's anyone's guess what she might find. And what she won't.
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He looks at the crazy bint uncertainly. It's all he was waiting for, the Stepford Slayer to take herself off without dragging the new girl off to a deprogrammer or an exorcist. But it doesn't feel right just to walk away.
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Perhaps not. Slayer senses.
(Pick a word. It doesn't always mean what you think.)
Her head turns slightly; it's a moment more before her eyes follow, and meet Spike's. She's poised, wary: not like she was, not trembling on the edge of violence, but uncertain and waiting and watchful.
Improvised stakes protrude from a pocket of her long brown duster, and her pale fingers curl loosely around the smooth wood of the quarrel.
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What the hell. In for a penny, in for an apocalypse. "You gonna be alright out here alone?"
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And then, low, "Long as I have to."
She hasn't relaxed at all; the words are a flat statement.
Still, it's an answer of sorts, which (whether Spike heard all the conversation or not) is more than Brianna got.
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It comes out flat in return. This girl isn't Buffy or Angel, this is actual new sodding information to her, and she doesn't deserve Spike's urge to smack himself in the forehead just because he is so bloody tired of heroes stalking off into the night to deal with it, whatever it is, alone.
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Or studying something, anyway; her focus isn't quite normal, all of the time, but she never looks away.
"Face the dark," she says softly, and perhaps to herself.
Then, "Don't I?" It treads the hazy boundary between rhetorical and genuine question.
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The cell phone's out, open, at his ear without him ever actually looking at it, in one automatic motion, like drawing a switchblade.
"Spike," he says into it, one eye on the girl to see if she'll bolt.
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*Andrew's voice over the phone sounds only mildly put out, not worried. Not urgent.*
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Angel's probably drycleaned his sodding phone again.
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Wearing a look of slightly extravagant patience, when she's not watching the shadows warily, but not bolting yet.
(Listening, though, maybe.)
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"Not now, Andrew. I still don't have Angel in my back pocket, and I've got company."
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*A note of curiosity.*
Anybody I know?
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It's interesting, apparently.
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You've never watched a single action movie ever in your life, have you.
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It doesn't help.
"Of course I bloody have. They're full of explosions, and people dying. And explosions." He pauses. "And sometimes nunchucks. Bit of a busman's holiday, really."
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So how have you not figured out yet that anytime you say 'not now' to somebody twice in succession, it's always important?
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"Wait. I don't know what you're talking about," he says to Andrew. He looks at the girl. "I don't know what you're talking about." He hands her the phone. "You're perfect for each other."
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"Your conclusions are fallacious," she says blankly, over the top of the phone more than into it.
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*There's a rather startled pause.*
Um.
Hi.
Who's this?
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And then River's eyes widen, and she jerks the phone up to her ear.
"Andrew."
Her voice is strained and tight -- with stress, with urgency, and maybe with suppressed hope.
"The teeth ate the doors. All the intervals. I need an exit."
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*Incredulous:* River?
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Andrew obviously had a more interesting social life than Spike thought.
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